
Released: 2019.05.01
Artist:Â Clark Hubbard
Tracks:Â 4
Genre: Electronic
Buy/Stream: Bandcamp, iTunes, Spotify, Google Play, Amazon, Tidal

Duration: 6.5 minutes
Difficulty: â â â â â
Premiered: 2020.11.01
Players: (1) 5 Octave Marimba + Electronics
(Commissioned by Ji Hye Jung)



âě° â˘ SAN ⢠MOUNTAINâ is a five-octave marimba + electronics solo commissioned by Ji Hye Jung.
Thematically, âMOUNTAINâ is about being in nature and in the mountains. In the early stages of composition this piece, I came across a conversation between Jeff Evans, Bud Brutsman, and Joe Rogan. Evans was discussing climbing and rescuing people off of Mt. Everest (among other mountains) when he said âI like to be with my people, in the hills. Thatâs my church…the cathedral of the big mountains makes me happy and sort of rejuvenates my soul.â After hearing that line, I decided that âmountainsâ would be the theme of this piece.
Originally, this piece was titled âCathedral of the Big Mountainsâ (from Evansâ quote). Ji Hye Jung suggested that I use Korean in the title and so I chose the title âě° â˘ SAN ⢠MOUNTAIN.â âě°â is the Korean character for âSANâ which translates to âMOUNTAIN.â
âMOUNTAINâ is not necessarily about the achievement of climbing mountains or about any mountain in particular (although it was initially inspired by the Himalayas). This piece is thematically about the sense of âwonderâ one experiences when out in nature and the connection of being in mountains/nature to being at home or church.
âMOUNTAINâ is a technically challenging work for marimba that blends contemporary percussion music with pop, electronic, and dance music. Throughout the piece, the relationship between the marimba and track varies. At times, the marimba is the dominant voice and the track serves as an electronic environment in which the marimba exists. In other instances, the electronic playback functions as an enhancement of the marimba, adding additional textures and colors to the sound of the marimba.
The marimba writing for this piece draws influence and inspiration from the popular marimba solos Jacob Druckmanâs âReflections of the Nature of Water,â Joseph Schwantnerâs âVelocities,â Bruce Hamiltonâs âInterzones,â and David Maslankaâs âVariations on Lost Loveâ among others. The electronic track draws influence and inspiration from the album âChinaâ by Vangelis as well as the music of Bjork, David Byrne, Peter Gabriel, Glenn Kotche, Radiohead, and Steve Reich.
Prior to “MOUNTAIN,” I had written a few works for marimba and had released an album and several EPs of electronic music, but never a piece for electronic and acoustic instruments.
âě° â˘ SAN ⢠MOUNTAINâ is great for students that are looking for a challenging marimba solo and want to explore electro-acoustic percussion repertoire.
âMOUNTAINâ is intended to be performed without a click track.
– electronic playback [.wav] + electronic playback (with click) [.wav] is included with purchase of the score

Duration: 4.5 minutes
Difficulty: â â â ââ
Released: 2019
Players: (2) 2 Marimbas (4.3 octave) + Desk Bells
(written for Madeline Dethloff + Sam Carullo)



âREDBLUEYELLOWâ is a percussion duet for two 4.3 octave marimbas + one octave (C-C) of desk bells. Throughout the piece, performers trade off duties as the lead voice and accompaniment.
âREDBLUEYELLOWâ was inspired by the paintings of Piet Mondrian (specifically âComposition II in Red, Blue, and Yellowâ) and tries to imagine what types of creatures would exist in a âDe Stijlâ world of red, blue, and yellow.
The piece begins with light chatter between the desk bells and marimba that quickly evolves into a fast-paced melody with each player having a turn on melody and accompaniment. The following section shows the main theme recontextualized as a chorale. âREDBLUEYELLOWâ closes with a final fast-paced section where it feels as if the two performers might lose control!
âREDBLUEYELLOWâ calls for one set of desk bells [C, D, E, F, G, A, Câ]. Desk bells may be substituted for glockenspiel, tuned metal pipes, crotales, or other pitched + resonant metals.
âREDBLUEYELLOWâ is great for students looking for a fast-paced marimba duo with a harmonic language accessible to any audience.
An excellent piece to open or close any recital.
“REDBLUEYELLOW” was premiered by Dethloff and Carullo on August 24th, 2019 in Nashville, Tennessee.
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